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( Log Out /  103 'The year 1905' WDR Sinfonieorchester Koln, Semyon Bychkov The performance from the WDR Symphony Orchestra is compelling at both ends of the dynamic spectrum, from the heart-rending funereal … Dmitri Shostakovich composed his Symphony No. 47 (1937) Symphony No. I don’t know about you, but that doesn’t strike me as a particularly compelling elevator pitch. Some revisions to this score were made, and the final version was played a few weeks later in Moscow. The première, on 12th May 1926, was an enormous success, and it was not long before the work gained worldwide recognition.   2 in B major, Op. Initially proud of these works, Shostakovich proclaimed them to be failures in the 1950s. Find album reviews, stream songs, credits and award information for Shostakovich: … Change ), You are commenting using your Facebook account. Shostakovich Symphony No.5 London Symphony Orchestra & Maxim Shostakovich Shostakovich: Symphony No. The composer’s trade-mark musical gestures are all immediately obvious. Still, for me it stands as a fascinating glimpse of the composer who might have been but for the Lady Macbeth debacle, etc. 2 in 1967 for David Oistrakh, to whom the score is dedicated.It was meant to be a gift for the violinist’s sixtieth birthday, September 30, 1968; … Wiki mentions “the notion of “industrial” symphonies intended to inspire the proletariat.” Thank goodness that phase is over. He was back in the party’s good graces—for the time being. COMPOSED: Shostakovich composed his Violin Concerto No. 5 at our European Tour Preview Concerts with Hilary Hahn on February 23, 24 & 25. Mozart’s expressive 29th symphony was penned by the 18-year-old wunderkind after his visit to Vienna. 7 "Leningrad" Kurt Masur & New York Philharmonic Shostakovich: Piano Concertos No. What is remarkable about the first three symphonies is not only that they were written before the composer’s 23rd birthday, but that they encapsulate all the musical ideas that were to remain present throughout the composer’s life. 9 thoughts on “ Seeking Shostakovich: Listening to the Tenth Symphony (Part 2 of 2) ” T. March 31, 2014 at 3:19 AM It is so refreshing and lovely to read about you wanting joy for Shostakovich, because of your experience with his music. Written at the age of eighteen, Shostakovich’s First Symphony was the graduation piece that completed his studies at the Leningrad Conservatory. Starting piano lessons with his mother when he was eight, he was writing a Pushkin-inspired opera by the age of nine. 8 in Cm, op. Possibly because of this, the authorities insisted on the commission concluding with a text by the Komsomol poet Aleksander Bezymensk, straightforward propaganda describing the hopeless conditions faced by workers before the Revolution and the heroism of Lenin in solving all their problems. 14 and subtitled To October, for the 10th anniversary of the October Revolution.It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. Everything old was rejected, the individual was becoming depersonalised. 2 in G Major, Op. It would also be impossible for Muzsektor to turn it down, and was guaranteed at least some friendly press. It has been likened to the opening chapter of a novel, setting the tone for all that follows. Initially described by the composer as a symphonic poem, the piece was eventually entitled ‘Symphonic Dedication – To October’. 2 in B, op. The work was composed for the tenth anniversary of the October Revolution. Change ), Shostakovich Symphony no. 2 & 3 - Amazon.com Music But we’ll excuse Shostakovich this symphonic misstep. 14 and subtitled To October, for the 10th anniversary of the October Revolution.It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927.After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow … He was born Dmitri Dmitrievich Shostakovich on September 25, 1906, in St. Petersburg, Russia. So he’s got plenty to enjoy. The worst thing about it is the actual close. And the Mahlerian string sonorities and Tchaikovsky-like descriptions of fate and death are more old-fashioned influences than contemporary ones. Shostakovich was surprisingly unequivocal in what he thought of it, referring to the words as ‘quite disgusting… very bad poetry… abominable’. Symphony No. October, the Commune and Lenin. Peaceful development is a most intense struggle.’ From sheer misery, I’ve started to compose the finale of the symphony. Dmitri Shostakovich’s First Symphony may be the greatest graduation project of all time. I was touched by that. After the 1917 Revolution, Shostakovich’s bourgeois family background proved a distinct disadvantage in the new social order that ensued. Initially described by the composer as a symphonic poem, the piece was eventually entitled ‘Symphonic Dedication – To October’. The Fifth Symphony, finished by Shostakovich in 1937, is probably the most frequently performed of his symphonies, and it’s easy to understand why. Shostakovich Symphony no. 12 in D minor, Op. Symphony No. 5 in A, K. 219, ‘Turkish’. However, his Piano Concerto No.2 is a gloriously free, wistful creation – particularly in the famous second movement, which guarantees the whole work’s enduring popularity. His friend and dedicatee of the First Symphony, Mikhail Kvadri, had recently been arrested and shot for ‘counterrevolutionary activity’; the dedication was officially removed from the score. 2013 Preview SONG TIME Piano Concerto No. Dmitri Shostakovich wrote his Symphony No. It is unremittingly tragic, and not so much about 1905 or 1956, perhaps, as about the persistently tragic pattern in human events. The unexpected death of his father in 1922 only made matters worse. Nervous tension and sarcastic wit, passion and intelligence, contemplation and action, nobility and banality – all expressed with an economy of means that is simultaneously subtle and direct. Here, Shostakovich brings his emotions back under control and turns to mockery. In many people’s minds it represented more an ideal of what the Revolution stood for, rather than the reality of regimented Bolshevik doctrine. 2.The symphony was premiered that October by the Leningrad Philharmonic Orchestra under conductor Yevgeny Mravinsky.This was the last Shostakovich symphony Mravinsky … The Soviet Union had discovered its first international star, the first to be trained solely under the new system rather than old imperialist Russia, and the authorities proclaimed him as an exaltation of the new at the expense of the old.   Shostakovich was bitterly attacked in the official press, and both the opera and the still unperformed Symphony No. 13, ‘Pathetique’, Mozart Violin Concerto no. And completing his Symphony No 4 – a big brute of a work – he withdrew the planned Leningrad premiere in '36, after denunciation by the State. The finale reaches a clear climax, cymbal crash and all, but a snare drum made of pure tragedy doesn’t let the piece end. 2 in B, op. It is a radically different work than his first symphony, which is a marvelously successful work that to me gives us far better glimpses into who the composer would later mature into than either of these works we’ll discuss. It’s marked largo, and the first real utterance of any kind, out of this jumble of sound, comes from the brass, in the form of more low growls, and eventually a trumpet solo. As we will see, the lack of inspiration thankfully didn’t last, but this is also a reflection of the social, political and artistic climate of the time. In time, this much repeated role would become as much a burden to him as it was a saving grace. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account.   It’s about 20-ish seconds, depending on ambient noise, before you hear the low mumbles of the ensemble in this first and longest movement. ( Log Out /  ‘I am in a terrible mood,’ he continued. But we have to end on a choral finale which “sets a text by Alexander Bezymensky praising Lenin and the revolution.” You can read the text of the finale here. Written in 1929, in less than a month, the Third Symphony is another single-movement work with choral finale. That’s okay, though: there’s the first, symphonies 5-8, the less gargantuan ninth, followed then by the incredible tenth and eleventh… and four more. Wikipedia explains it thusly, citing Ian MacDonald’s The New Shostakovich: Shostakovich composed his Second in a gestural, geometric “music without emotional structure” manner, with the intent of reflecting speech patterns and physical movements in a neo-realistic style. All this darkness suffocates me. Shostakovich had started to experience some of that ‘struggle’ first-hand. Maybe it was this combination of views that allowed him to write music that spoke to so many, and offended so few. Wiki says: Though Shostakovich had been commissioned by Muzsektor rather than Agitotdel, and was thus expected to produce a composition of abstract music instead of a propaganda piece, writing a short agitprop symphony seemed to solve all of Shostakovich’s problems. 14 ‘To October’ In the Sixth Symphony, Shostakovich wanted to express an illogical and contradictory world and so chose a form that is both those things. The classicism is most apparent in the first movement, which follows 18th-century sonata form right down to repeating the exposition (the only Shostakovich Symphony that does). This choice may have been influenced at least partially by Vsevolod Meyerhold’s theory of biomechanics. Shostakovich wrote that ‘whereas in October, the main content is struggle, May expresses the festive spirit of peaceful development… This does not mean that the music in May is all glorifying and celebratory. Even today, people wonder just what Shostakovich was trying to say. 14, ‘To October’ performed by the Gothenburg Symphony Orchestra and Chorus under Neeme Järvi, or as below with the WDR Radio Chorus and WDR Symphony Orchestra Cologne under Rudolf Barshai This symphony, when I first heard it, perplexed me, to say the least. Like Schoenberg’s Pierrot Lunaire, another piece he admired, the disconcerting idea of human beings as puppets, with their actions manipulated by unseen string-pullers from on high, was one that stayed with the composer right the way through to his final symphony, written almost fifty years later. While Prokofiev’s second symphony was a head scratcher not only for the audience but the composer himself, it has gained recognition in more recent times as a blisteringly intense, genius work, at least by some. BBC Proms 2007: Prom 48Royal Albert HallAugust 19, 2007Simón Bolivar Youth Orchestra of VenezuelaGustavo Dudamel, conductorShostakovich Symphony 10mvt II. 2 (Shostakovich) Last updated February 10, 2020. This is followed by the most forced of perorations maybe ever written in music history. Program Notes: Shostakovich Cello Concerto No. Shostakovich’s last wartime symphony was the Ninth (1945), commissioned by the state to commemorate the USSR’s victory over Germany. The symphony opens with a virtuosic brilliance heavily influenced by Stravinsky’s Petrushka. His recent opera The Nose had not been well received, and despite his previous success, he certainly would not have felt immune to the vulnerability of his time. 2, Op. etc. These early, enigmatic works point to a lifetime of ambiguity and double-speak. 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